Video Editor · Colorist · Motion

FRAMES
THAT LINGER

I cut commercials, music videos and documentaries that hold attention past the first three seconds — assembled, graded and scored end to end.

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Portrait of the video editor in a tan suit

Premiere Pro
After Effects
CapCut
Illustrator
Photoshop
Color Grading
Sound Design
Motion Graphics

Premiere Pro
After Effects
CapCut
Illustrator
Photoshop
Color Grading
Sound Design
Motion Graphics

SELECTED WORK

2026 — 2026

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EVERY CUT PASSES THROUGH FOUR HANDS-ON STAGES

Story Assembly

Footage triaged, selects pulled, and a rhythm built before a single effect is touched. The cut earns its length.

Color Grade

Balanced, shaped, and pushed into a signature look — warm keys, protected skin tones, honest blacks.

Sound & Motion

Designed sound beds, tight sync, and typography that moves with intent instead of decoration.

Delivery

Masters, socials, subtitles and aspect variants — packaged for every platform in one pass.

About

I EDIT FOR FEEL FIRST, POLISH SECOND

The timeline taught me that pacing beats plugins. I work closely with directors and founders, protect the intent of the footage, and shape it into something that lands — whether it runs 15 seconds on a feed or 15 minutes in a festival room.

Films built

3+ months

Behind the timeline

48 hr

Typical first cut

none - looking to surprise you

Brands served

FRAMESTHAT LINGER